It may not be something you like, but you won’t know until you give them a try. Try sliding a  7♭5 chord up or down 6 frets and it’s the same chord with the same notes just with a different note in the bass. I used some of his licks and made some tweaks of my own. 16 7#11 & 7b5b9 Guitar Chord Shapes (G & Db), 8 Open D♭7♭5#9 & 3 Closed 7♭5#9 Guitar Chord Voicings, What Is A Guitar Ghost Note? G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. I like all 3 E7#5 shapes, but none of the 9#5 shapes. The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. In this article, I go over the C whole tone scale, the chords that can be built from the notes and practical application of the scale when playing leads. Let’s look at the augmented chords first since they are most often associated with the whole tone scale. 5 and 6 Note Chords: C#9b5 C#9#5 D#9b5 D#9#5 F9b5 F9#5 G9b5 G9#5 A9b5 A9#5 B9b5 B9#5. This scale is a combination of a diminished scale and a whole-tone scale. The 7♭5 chord contains 2 tritones and it can resolve to 2 different keys: C7♭5 \ G♭7♭5 resolves to both F and B. But give the scale a try for some unique riffs. E: E+, E7#5, E9#5 guitar, How to play guitar Every note in the whole tone scale can act as the tonic of the scale. 2) For the #2 7♭5 shape, you can bar the root & ♭7 with the 1st finger as a different fingering. #5) Use the D♭ whole tone scale for the other 6 keys for dominant and altered 7th chords. The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). Donations will allow me to pay my bills and provide you with great content. C9♭5 = D9#5. Most jazz guys know you can build a 7♭5 & 9♭5 chord from the WT scale. Domination. If we assign a scale degree to each note in the whole tone scale, we get 1, 9 (2), 3, #11 (#4), #5, and b7. A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. Besides a #5, a whole tone scale also uses a … As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. Notes: Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. Check out my article on Augmented scale guitar chords for closed and open Augmented triad shapes. Play the whole tone scale over this progression, and then try to improvise over it. Occasionally, you’ll see an augmented triad (1, 3, #5). For example, a C augmented chord, C – E – G#, would take the C whole tone scale. ~ quote by Kernix. along the fretboard A major scale is formed with the formula W-W-H-W-W-W-H. G♭ (or F#): G♭+, G♭7#5, G♭9#5 C Whole Tone Scale Chord Diagram The Whole Tone scale is an unusual “beast” and contains 6 Dominant 7th harmonies as you can see in my example of the C Whole Tone Scale Chord Diagram. Whole Tone Scales overview C: C, D, E, F#, G#, Bb, C C#/Db: C#, D#, F, G, A, B, C# D: D, E, F#, G#, A#, C, D D#/Eb: D#, F, G, A, B, C#, D# E: E, F#, G#, A#, C, D, E F: F, G, A, B, C#, Eb, F F#/Gb: F#, G#, A#, C, D, E, F# G: G, A, B, C#, D#, F, G G#/Ab: G#, A#, C, D, E, F#, G# A: A, B, C#, D#, F, G, A A#/Bb: A#, C, D, E, F#, G#, A# #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. The scale formula is W-W-W-W-W where “W” stands for whole tone. Read my article Chords From Scales for a list of all the 7#5 and 7♭5 chords. The chord derived from the Wholetone scale is the V7#5 chord, which can be extended to a V9#5#11. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. Apps, How to read #3) The scale is ideal over +, 7#5, 9#5, 7♭5 and 9♭5 chords. 7#5 = augmented 7th = 1–3–#5–♭7 All open chords for every chord type in every key. are getting bigger every day, so, to keep the site free for everybody, I'm 5) I also included the only E♭9♭5♭13 chord which is from the D♭ WT scale. We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. maps of 44 different chord types. The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. I also list examples of songs that use chords from the whole tone scale and I include augmented 7th and 7♭5 guitar chord shapes, both closed and open chords in the key of E. The whole tone scale is a unique and difficult scale for beginner guitar players. The mysterious, aimless, and rootless sound of this scale can make it difficult to know exactly when to use it. Beatles: From Me To You Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You Either play a 7♭5 or an add#11 chord. A good substitute for a dominant 7th chord is a 7♭5 a ♭5 away, so try a G♭7♭5 in place of a C7 chord. There are no half steps like in the major scale, so you get the “outside” sound of the scale when played over a chord progression. So a C9♭5♭13 chord (all the notes in a C WT scale) resolves to D♭, E♭, F, G, A, & B (all the notes in a D♭ WT scale!). Sting: 7♭5 in Seven Days T = Tone [whole step] • S = Semitone [half step] • TS = Tone + Semitone (minor 3rd interval) COMPARISON WITH MAJOR SCALE. So, you would play the G H/W diminished scale when the chart explicitly says G7b9, G7#9, G13b9 etc, OR if you just want to imply that kind of sound on any G7 chord. positions, a handy visual chord formula table, and the tones fretboard The harmony of the whole tone scale is rarely explored like traditional scales and modes. Start As a result of those chords equalling each other, there are 2 repeated shapes for 9♭5 guitar chord shapes that are shown above for the 9#5 shapes. Allman Brothers: Stormy Monday (their version) For example, use the scale over C7, D7, E7, F#7, A♭7, and B♭7 chords, or 7♭5, 9♭5, 7#5 & 9#5 chords in those same keys. Download the free Guitar Scales Chart in pdf format. Grateful Dead: Till the Morning Comes C7♭5 = G♭7♭5. Beach Boys: I Just Wasn’t Made For These Times, Orange Crate Art (also has a 9#5 chord) The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh. C9♭5♭13 = C–E–G♭–B♭–D–A♭ = 1–3–♭5–♭7–9–♭13. Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. Scales Equivalent to G whole tone : C#/Db whole tone; D#/Eb whole tone; F whole tone; A whole tone; B whole tone; Scales wich notes are within G whole tone: ; Scales where G whole tone is within them: ; The Scale and/or Chord can be inserted over or in place of a V7 chord. 4) The closed 9♭5♭13 closed chord is difficult to hold but it sounds amazing! The aug triad and 7#5 chords are mostly used in place of the V chord. that will help you learn how to move freely on the neck and play any chord you want in any “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. Or you could say the 9#5 equals a 9♭5 on the ♭7. The Whole Tone Scale consists of note a whole step apart. scales We use cookies to ensure that we give you the best experience on our website. Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). Below is a table of all the C chords that can be built from the C whole tone scale. tutorial. You only need to look at one note because every other note builds the same chords. There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. In that article, I include songs that use the aug triad. and server bills Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. The most “unique” notes in the scale are the lowered and raised 5ths (♭5, #5) similar to a 7alt chord but with a 9 as opposed to altered 9ths (b9, #9) that is common with altered 7ths. E Whole Tone for guitar. Remember that every other note of the scale builds the same chords. (Guitar Technique). #1) The scale adds tension but has no resolution. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; The scale formula is W-W-W-W-W where “W” stands for whole tone. I assume the maj ♭5 chord is similar given the option of the IV in a major key. They are They are shapes where the root is not in the bass, so they can be either chord. If you don’t like the sound of the chords, don’t use them. These maps show you the tones in a chord all along the fretboard. For example: Chord Prog. If you continue to use this site we will assume that you accept the use of cookies. Here are some songs I found that use flat 5 chords: Pink Floyd: maj ♭5 in Great Gig in the Sky music for The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. But if you need to play a maj ♭5  chord, just find a major triad shape and lower the perfect fifth by a half-step. or a jazz minor? Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). Due to this symmetry, the hexachord consisting of the whole-tone scale is not distinct under inversion or more than one transposition. E: E7♭5, E9b5, E9♭5♭13 #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. B♭ (or A#): B♭+, B♭7#5, B♭9#5. incredibly helpful My favorite closed 9#5 chords are #1 & #3. #7) Play “boxes” or 1-octave shapes for short runs, but use 2-octave shapes for longer sections. 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